I’m not going to do a shot by shot analysis like I did The Last Jedi’s official teaser because this full length trailer has way too much going on — in a good way. I will, however, share my thoughts on how the story of Episode VIII may unfold based on some observations I’ve made.
Thanks to a man who accidently stumbled on the other side of the world 500 plus years ago, I’ve got a 4-day weekend! And in this 4-day weekend I plan to do a couple things: 1) catch up on some blogging and blog myself 2) do some work (not really) and 3) watch freaking Blade Runner 2049!
Note: The Fountain is best experienced going in completely blind but I’ll do my best to explore Aronofsky’s third and most daring film with regard to those who have yet to see it.
Most viewers just couldn’t wrap their heads around the story of The Fountain and, similarly, critics found this spiritual love story to be too far fetched and heavy handed. The Fountain is an all time favorite film for some, myself included, but also has a jarring 51% on Rotten Tomatoes – don’t let this cloud your judgement. It’s certainly Mr. Aronofsky’s most divisive film but, in my opinion, possibly his best ever.
Darren Aronofsky’s characters are psychopaths. Perfectionist who devote their body and soul to a single goal. They remain fixated, neglecting what their lust for achievement has to their loved ones or even to themselves. In Pi, we saw the lengths crazed mathematician Max Cohen went to unravelling the secrets behind a 216 digit number that may not have any worldly significance at all.
Requiem for a Dream, Aronofsky’s second film, explores the mindset of three addicts who all go extreme lengths to grasp that one thing in life that’ll make them happy, or at least fill that empty void. These characters, whether they wish to lose weight, become wealthy, or score some heroin, absolutely destroy their lives to do so.
An Aronofsky film is a very subjective experience and while he does not entirely intend for an empathetic connection to be made, he is very keen on lunging viewers into the minds of his unstable characters. In Requiem, he effectively positions us into the mental of the obsessed and fiend through editing.
Against the Crowd is a blogathon hosted by Dell on Movies that entails participants follow these simple instructions:
1. Pick one movie that “everyone” loves (the more iconic, the better). That movie must have a score of 75% or more on rottentomatoes.com. Tell us why you hate it.
2. Pick one movie that “everyone” hates (the more notorious, the better). That movie must have a score of 35% or less on rottentomatoes.com. Tell us why you love it.
3. Include the tomato meter scores of both movies.
4. Use a banners from the announcement post, or feel free to create your own.
5. Let them know what two movies you intend on writing about in one of the following ways: 1) Comment on this Mettel Ray post 2) Comment on KG’s Movie Rants 3) Tweet @ @w_ott3 or 4) Tweet KG @KGsMovieRants1
6. Publish your post on any day from Monday August 14 through Sunday August 20, 2017.
So this is me going Against the Crowd…
Pi, like any of Aronofsky’s works, requests viewers to depart from their reality and take a step inside the paranoid and overly analytical mind of its protagonist, Max Cowen. Max, a gifted Mathematician, spends most, if not all, of the day cooped up his small New York City apartment studying numerical patterns processed from his customized computer. With his mathematical prowess and computer, Max is able to fully predict the outcome of entire systems involving numbers such as the stock exchange.
If I had to summarize what a Aronofsky film was as succinctly as possible I’d say: character driven, thematic and symbolic. Aronofsky’s stories force you into the minds of incredible damaged characters who are delusional, overly anxious, psychopathic, addicts, and heart-broken but extremely relatable nonetheless. Aronofsky’s films, while being completely unsettling at times, are beautiful, heart-tugging as well as heart breaking explorations of human condition. While being quite grounded in reality they also spiritual and mystifying journeys of the character.
Like Tarantino and Nolan, two of the most revered modern day directors, Aronofsky has injected incredibly original and unique movies into Hollywood. Critics and moviegoers alike scream for something refreshing in this era of reboots, remakes and sequels but often underlook the work of Aronofsky. So in preparation for the release of his latest film mother! (more on that here) I am gladly making somewhat of a guide/review/overview for each of his films in order of their release.
Please do stay tuned for my next entry in this series that will features an analysis of his directorial debut Pi !
There is no trailer for mother! yet but the poster alone has already sold the film to me. With the unsettling visual of Lawrence literally holding her heart out for someone, mother! also features quite an amazing cast. Standing alongside the Hunger Games star is Ed Harris, Michelle Pfeiffer, Domhnall Gleeson, Brian Gleeson and Kristen Wiig. The synopsis from IMdB follows:
Mother! Centers on a couple whose relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.
Aronofsky is amongst my favorite directors working today. In an era of reboots, remakes and sequels he has consistently injected original, character driven, heart-tugging projects throughout the last two decades. He is just one of those director’s whose films I’ll watch no matter what based on the quality of his filmography. Mother! is definitely on my watchlist and is set to release September 15th.
I have to make a ranked list of Aronofsky films now!
First the Game of Thrones series recap and now this?! I was already so, so, sooo excited for The Last Jedi even though it’s basically releasing a half a year from now. Currently my hype for this film has reached light speed after the Star Wars’ official youtube channel released a behind the scenes look at the 9th film in the epic saga. So here it is, the BHS look at Star Wars Episode VIII along with my reaction!
As someone who often condemns film and television for being too formulaic I cannot believe I have slept on Spike Jonze’s Her for this long. After about four days of sitting on this film I can safely say that Her is now alongside Eternal Sunshine of the Spotless Mind as one of my favorite love stories ever. Following the separation of his wife, Theodore (Joaquin Phoenix) strikes an odd liking, well not so odd in this future setting, for his operating system Samantha (V.O. by Scarlett Johansson) that soon deepens to a committed relationship. Every scene shared between the them is as enticing as the last, and given that most of the film’s runtime primarily focuses on the two, Her does a great job at fully immersing viewers into their love story. Like Eternal Sunshine, Her is an extremely unconventional tale of love but effortlessly explores the feeling of falling for someone, being in love as well as the detriments of heartbreak.