Any stranger to 4therace should know that I am a lover of films. I hope to complete a minor in film at my school and continue film studies into graduate school. My dream is to become a film critic and possibly a screenwriter one day. 4therace is extremely special to me because I not only get to connect with so many awesome readers but also get to the chance to strengthen my film review and analysis skills outside the classroom. I’m aware that I struggle to keep up blogging throughout the semester but I really want to push myself in 2018. Life is going to get busier for me but it never should be too hard for me to practice what I love doing. So I’ve made a promise with myself to write about every movie I watch this year and post my words here on 4therace. I’m already three movies behind but at least it means I have some content to talk about! I’ve got a review for last year’s Ingrid Goes West and Spike Lee’s She’s Gotta Have It on the way so do stick around!
Pi, like any of Aronofsky’s works, requests viewers to depart from their reality and take a step inside the paranoid and overly analytical mind of its protagonist, Max Cowen. Max, a gifted Mathematician, spends most, if not all, of the day cooped up his small New York City apartment studying numerical patterns processed from his customized computer. With his mathematical prowess and computer, Max is able to fully predict the outcome of entire systems involving numbers such as the stock exchange.
I am a huge Nolan fan so I am a little sad to say that I didn’t get to watch Dunkirk in IMAX or glorious 70mm. In fact I’ve never seen a Nolan film in anything but a standard 35mm movie theatre. The experience, of course, is not as great but at the end of the day I’m still a subject to his unique stories.
Dunkirk, Nolan’s first film based off a historical event, follows the evacuation of 300 000 British, French, Belgian and Dutch soldiers from the beaches of Dunkirk during WWII. While it isn’t mind boggling or a sci-fi epic, Dunkirk has Nolan sprinkled all over it, from its non-linear storytelling all the way to the colour palette. So, does that mean it’s any good?
I wasn’t in San Diego, in fact I’m on the other side of the world in Uganda. Seriously check my location. Even though I am a million miles away I felt the nerd vibe. This weekend was filled with a whole of a lot of goosebumps, screams, and a constant “WHATT???!” from my mom every other minute whenever I yelled from excitement. Here are some of my favorite trailers and news coming out of SDCC 2017!
My favourite Christmas gift, without a doubt, was my Marvel Comics encyclopedia that gave the history to every character, fictional location, and alternate universe that has ever been created by the comic giant since the date of its publishing. This encyclopedia sparked my love for Marvel Comics and eventually my love for the Marvel Cinematic Universe (MCU). Since the release of Iron Man and The Incredible Hulk back in ’08, we’ve gotten 16 movies that have introduced new characters from all over the galaxy. Now we’re looking towards a third and possible final Thor movie, the first ever Blank Panther movie and the first entry in the two part Infinity War! Before I get a little too ahead of myself, I thought I should rank my favorite MCU films thus far. So here it is, my 16 favorite MCU films ranked from worst to best.
*Now including Spiderman: Homecoming
Finally, FINALLY I got to see Spiderman: Homecoming tonight a little after a week since its release. This film looked extremely promising based on the teasers, trailers, dedication and deep care the cast showed for this project, especially Tom Holland (Peter Parker/Spiderman) and it really didn’t disappoint. Maybe it’s a little premature to say this but Spiderman: Homecoming may just be my favorite spidey film to date.
As someone who often condemns film and television for being too formulaic I cannot believe I have slept on Spike Jonze’s Her for this long. After about four days of sitting on this film I can safely say that Her is now alongside Eternal Sunshine of the Spotless Mind as one of my favorite love stories ever. Following the separation of his wife, Theodore (Joaquin Phoenix) strikes an odd liking, well not so odd in this future setting, for his operating system Samantha (V.O. by Scarlett Johansson) that soon deepens to a committed relationship. Every scene shared between the them is as enticing as the last, and given that most of the film’s runtime primarily focuses on the two, Her does a great job at fully immersing viewers into their love story. Like Eternal Sunshine, Her is an extremely unconventional tale of love but effortlessly explores the feeling of falling for someone, being in love as well as the detriments of heartbreak.
At the moment I am currently working on two really interesting posts that explore what is meant from “strong female character”, a phrase often misunderstood by Hollywood studios and film goers alike. To help me out with my entires, more like well-put together rants, I’d love to know who are some of your favorite female characters in film or possibly television. Feel free to answer in the comments below or on a google form I created here!
Jean-Luc Godard’s A Bout De Souffle, or Breathless in English, was my introduction to him and the French New Wave. To my eyes at the time, the handheld camera work, unique editing, and stylistic dialogue of this era of cinema was so completely foreign to me. What really stuck with me after watching this film was the song heard above. It’s sad and pensive but somehow makes me a little happy. I was on the road for a long time last week and had time to think a lot. For some reason I couldn’t help but hum this song the entire journey. To describe it best I can, this song makes me feel like it’s a Sunday morning, or it’s raining outside. It’s like the ringtone that corresponds with your mind when you just want to think to yourself. I just can’t get enough of it.
What immediately captivated me about The Witch was its gorgeous cinematography. Wide shots of landscapes, accompanied with an eerie score, are scattered across the runtime establishing the film’s truly unsettling tone. Like the calm and unsettling nature of The Witch’s visuals, the horror elements of the film are subtle yet increasingly discomforting. Set in 1630 New England, the lives of a sequestered family quickly fall into a world of the wicked when their youngest member, Sam, goes missing.