Pi, like any of Aronofsky’s works, requests viewers to depart from their reality and take a step inside the paranoid and overly analytical mind of its protagonist, Max Cowen. Max, a gifted Mathematician, spends most, if not all, of the day cooped up his small New York City apartment studying numerical patterns processed from his customized computer. With his mathematical prowess and computer, Max is able to fully predict the outcome of entire systems involving numbers such as the stock exchange.
If I had to summarize what a Aronofsky film was as succinctly as possible I’d say: character driven, thematic and symbolic. Aronofsky’s stories force you into the minds of incredible damaged characters who are delusional, overly anxious, psychopathic, addicts, and heart-broken but extremely relatable nonetheless. Aronofsky’s films, while being completely unsettling at times, are beautiful, heart-tugging as well as heart breaking explorations of human condition. While being quite grounded in reality they also spiritual and mystifying journeys of the character.
Like Tarantino and Nolan, two of the most revered modern day directors, Aronofsky has injected incredibly original and unique movies into Hollywood. Critics and moviegoers alike scream for something refreshing in this era of reboots, remakes and sequels but often underlook the work of Aronofsky. So in preparation for the release of his latest film mother! (more on that here) I am gladly making somewhat of a guide/review/overview for each of his films in order of their release.
Please do stay tuned for my next entry in this series that will features an analysis of his directorial debut Pi !